An independent show guide not a venue or show. All tickets 100% guaranteed, some are resale, prices may be above face value.We're an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed prices may be above face value.We are an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed and they may be priced above or below face value.
Saw Hadestown at Orpheum on Tuesday - this show is BRILLIANT! Everything about it is wonderful. #Orpheus was played by the understudy & we had NO IDEA until we were on the way home. The entire cast is amazing. Do yourself a favor, IF there are tickets left while it's here, go see this show! I can see why it won so many Tony's & this cast lives up to that standard.
Deb Skinner from Minneapolis, Minnesota
MISSED SEEING NICHOLAS BARASCH AS ORPHEUS
We went Sunday March 20th. Sold out show!! It was very good and enjoyed the understudy, Chibueze Ihuoma, as Orpheus. Just wanted to see Nicholas. Also, the workers chorus- is there someone with cancer? I hope the dancer is doing okay and is not ill.
Barbara Amster from San Diego, California
BEST SAN DIEGO STAGING EVER
The stars were aligned tonight with Broadway (and yes I have seen Broadway plays) level singing and instrumentals. Images in dance were powerful and moving. Glorious set design and staging. Loved the story, too! My political bent; but, warning, not too subtle on women's rights, immigration, climate change and corporate power and greed!
Matthew Dann from Costa Mesa, California
Wow!! What a thrill!! Outstanding performances! Can’t believe that every singer has an outstanding voice and what a great story line so much fun!! If you wanna treat yourself to a great deal of fun wonderful music great characters lively energetic can’t say enough about how much I enjoyed Hades town!!
Opera lover from Washington, District of Columbia
A lot of this is just so good. Marable, morrow, kreis. I am not sure what was going on with the tenor. Was the falsetto supposed to be like countertenor?
Which would be great, that's an unearthly sound that would fit the plot.
Sadly, it was screeching. The night I was there anyway
Opera lover again from Washington, District of Columbia
SOME OUTSTANDING WORK BY NON LEADS
The musicians are without fault, as is the chorus. But the the three women singing the fates are remarkable. Hardest working gals I've ever seen. On stage almost all the time, singing most of the time, playing musical instruments, and some very complicated blocking.
Joy from Boston, MA
AMAZING MUSIC, SOME WEAK POINTS IN THIS PRODUCTION
The music is gorgeous, let's get that clear, and there is some very creative staging. I've not seen other productions, so I'm not sure whether the set was modified for this space, but while it was engaging and clever, it seemed way too cramped, limiting options for the cast and making for some repetitive blocking. The real love story was Hades and Persephone, who were remarkable. Orpheus and Eurydice didn't convey much chemistry, and it was hard to be invested in their romance. Her choice to go to Hades seemed abrupt and confusing, given how much in love she's supposed to be. The decision to have Orpheus sing in a very high falsetto was unfortunate; it was unpleasant to listen to, almost comedic, and didn't carry that sense of the magical voice he's supposed to have. Overall, though, amazing cast and voices.
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